Tuesday, August 26, 2008

Infosys acquires United Kingdom's Axon for £407 million

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In the largest acquisition by an Indian technology services firm, Infosys Technologies Ltd made a £407.1 million, or Rs 3,269 crore, cash offer to acquire the UK-based Axon Group Plc.

If the deal goes through, it would not only expand the Indian company’s key SAP software and consulting capabilities, but also enhance its footprint in Europe, equipping India’s second largest IT services company to bid for larger, transformational outsourcing contracts.

The London Stock Exchange listed Axon reported a net profit of £20.2 million (Rs160 crore) on revenue of £204.5 million (Rs1,660 crore) for 2007. Axon, which has no debt on its books, provides consulting services to customers such as British Petroleum Plc. and Xerox Corp. that have chosen SAP AG’s business software as their company-wide platform.

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Wednesday, August 20, 2008

The real deal?

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Jade Goody had barely joined the Bigg Boss house before she was being flown back to the UK, after a shocking revelation that she had cervical cancer.

The British reality TV star's inclusion in Bigg Boss hosted by former rival Shilpa Shetty has been making headlines across the country for the past week.

Less than 48 hours into the show, Goody learnt that she had cervical cancer.According to a leading UK newspaper's Jade was called into the Diary Room where she spoke to her consultant in UK by phone. She was reportedly hysterical as she announced to her housemates. "I have cancer".

The timing has got people questioning what really went on behind the scenes before the announcement which will undoubtedly push up the show's ratings. "You know the way the world is. People will go to any length to get duplicity but at the same time I feel sorry for Jude Goody" said designer Nainika Karan.

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Tuesday, July 01, 2008

The Big Dance Don’t stop the beat!

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UK Visa officials in India are tiresome no doubt, but there is truly no lovelier, more energised and more welcoming global capital than London — when the sun comes out, which, believe me, does happen here in the summer.

It gives us magnificent days and endless evenings, a nicely chilled glass of rosé, and the arts al fresco, all kinds of them, strutting their stuff in street, park and square fiestas. Forget that quiet stroll in the “Japanese garden” or the book of verse by the Serpentine.

London’s culture bosses want that art experience excludes no one, allows the widest participation, and reaches the masses — visitors too. The mild English summer is a great time to do this easily, outdoors, to catch the public where they gather anyway. Summer art celebrations take over London’s famous parks and the one true square; they aim to fill the senses and gladden the soul of the ‘average person’ on the street who would otherwise have to be dragged or seduced into a theatre or gallery or ‘exotic’ restaurant.

For its inclusiveness, participation and accessibility, and the manic magic of numbers, by far the biggest and the best of these summer events is the Big Dance in Trafalgar Square, promoted by the Mayor of London. As the music fills the air and the lights illuminate one of the world’s best known and most-visited open public spaces, enormous numbers of dancers heave, move and beat out rhythms in a specially choreographed and amazingly produced spectacle for one dazzling summer evening.

The maiden 2006 event is the world record-holder for featuring 762 performers performing together to the same piece of music in 44 different styles. From Chinese dancers to ballet, tap, salsa, street, English folk, flamenco, bhangra, bollywood and kathak dancers, they included synchronised swimmers splashing in Trafalgar Square’s fountains. This was broadcast live as part of a BBC1 show, Dancing in the Street, a special 80-minute dance extravaganza. The lions remained stoned facedly majestic, for no one climbed over them.

The Big Dance takes place again on July 12. This year will see more than 2008 dancers “get down to some cool new moves by award winning choreographer Aletta Collins,” according to a release. “Come and book your place and learn the moves for the Big Dance!” the public website calls out to everyone encouragingly, with a you can-do-it reassurance and online lessons.

“Dance is about the most important art form for a world city like London right now,” says Alistair Spalding, artistic director and CEO of the world renowned Sadler’s Wells.

But how is it that we have so many dancers here? The ruling theory is that anyone and everyone can dance. It sure works. The public policy position taps deep and visceral: the human urge to move to rhythm, and the unspoken dreams of shy multitudes to perform before others. In the Big Dance, they can all fulfil their dreams. It offers hundreds the opportunity to dance just for the sheer pleasure of it; to lose, and find, oneself in the larger piece; to create something worthwhile, beautiful, joy ous and shared, not for evaluation of technique or a publicity quote from an allknowing dance critic. And this goes for the participating professional performers as well as amateur or “community” dance groups. And the range is, well, quite something to behold. “London provides the widest variety on offer — shapes, sizes, cultures, races,” observes the Chennai-born British choreographer Shobana Jeyasingh.

The participating groups, all officially tagged with ID cards, work for weeks on end honing their pieces, getting together for an all groups rehearsal just before the show. There are no prizes. Just the sheer delight of the crush and the roar like in a sports stadium and the shrieks and applause of the participants and the teeming audiences all around, themselves shaking a leg or more, showing up on giant screens.

Mira Kaushik, Director of Akademi and a mistress of the spectacle herself, who orchestrated several Indian Dance groups to participate in the Big Dance last time round proclaims, “London is the greatest place to dance.” Fielding a massive team of project managers, administrators, coordinators, ushers and volunteers, the Big Dance is a major security operation as well as a mammoth, mind-boggling resource and skill intensive management and technical enterprise.

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